Editor’s Notebook

I first came across the work of A. Aubrey Bodine about ten years ago, but it is only in the last year that I discovered his railroad photography. Trains: Photography of A. Aubrey Bodine was published by Schiffer Books in 2018. This is one of several books authored by Bodine’s daughter, Jennifer Bodine, and features 120 black and white railroad photographs taken by A. Aubrey Bodine, mostly in the 1950s.

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A Clinchfield Chronicle 

The Trackside Photographer is pleased to announce the publication of a new book by contributor Eric MillerA Clinchfield Chronicle: Photography Along CSX Transportation’s Clinchfield Route showcases heavy haul mountain railroading on one of the most scenic railroad lines in America. This 110-page all-color volume covers ten years on CSX Transportation’s Clinchfield Route, the former Clinchfield Railroad between Elkhorn City, Kentucky and Altapass, North Carolina. Separate sections cover the Elkhorn City to Erwin, Tennessee “Kingsport Subdivision,” the Erwin, Tennessee to Altapass portion of the “Blue Ridge Subdivision,” and the famous CSX Clinchfield “Santa Train.

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The Track Comes First

Stations: An Imagined Journey

The cover of Michael Flanagan’s Stations features his painting “Chalybeate Springs,” based on a Charles Rotkin photograph taken on the Central Railroad of New Jersey in High Bridge, New Jersey that appeared in a 1972 Fortune magazine essay on eastern U.S. railroads.

In the summer of 1992 I attended an industrial archaeology field school at Harpers Ferry, West Virginia and spent my free time investigating railroad action around Martinsburg, Winchester and the surrounding Shenandoah Valley. Two years later, my annual Christmas stocking-stuffer book was Michael Flanagan’s illustrated novel of railroad paintings, Stations: An Imagined Journey which to my surprise was set in the same geographic area.  I was immediately drawn to the paintings, many of which looked like familiar places.  The narrative seemed cryptic on the first reading.  But I kept returning to the book, which eventually led me on my own journey, a personal exploration that rewarded me with a deeper understanding of my attraction to the railroad landscape.

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Trackside with VIA



The Trackside Photographer is pleased to announce the publication of a new book by contributor Eric Gagnon. Trackside with VIA -  Research and Recollections is Eric's fourth book on VIA Rail.

Eric writes: "Let's face it - there are very few books on VIA Rail out there. I've listed the only ones in existence in my first book, and I've added two published since then in this book. Now there is one more! Trip accounts from throughout VIA's history, and consists from 1981 to 2016 comprise the 'personal' parts of the book. Not knowing my Dad had saved consists that I'd lost track of (no pun intended), I've included them, plus accounts of VIA trips made by my parents, as well as photos of VIA operations taken by my Dad and my brother in the 1980's. All in one convenient package!

"Not only is there research, data and photos of mine, but also of my contributor team: Tim Hayman, Don McQueen, Mark Perry and Mark Sampson brought their expertise in modelling, locomotives and VIA operations in Northern Manitoba and VIA's Canadian, respectively."


Trackside with Via
For more about the book and ordering information, visits Eric's New Via Rail Book blog.

The Railroad
 and the Art of Place

In the forward to his new book, The Railroad and the Art of Place, David Kahler writes ". . . I learned that photographs of moving trains were not everything. Some of the most evocative visual images could be made without rail activity." It is a theme that resonates with the mission of The Trackside Photographer.



Jeff Brouws, in his essay which appears in the book (and is reprinted below), discusses Kahler's work in relation to the depression era work of the Farm Security Administration photographers, particularly Marion Post Wolcott, as well as the photographers of the more recent New Topographics movement. With its focus on the visual and cultural landscape shaped by the railroad, The Railroad and the Art of Place  holds a unique place in the context of railroad photography, and indeed, transcends the genre.

With a broad appeal not only to railfans, but to anyone who loves great photography, this book will find a place in the library of railfans, artists, photographers and historians alike.

David has been generous to share his work on The Trackside Photographer in the past, and we are pleased to recommend his new book to our readers.

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