Living History: Dispatchers

In the effort to preserve railroad history, our efforts are most often focused on the physical aspects of the railroad and its infrastructure. But another, and sometimes neglected, element of history lives in the memories of those railroaders who lived that history as part of their day-to-day job.

In this episode of Legacies: Living History, we talk with three retired train dispatchers for an insider’s look at the job of the dispatcher, the ups and downs of day to day railroad operations, and some memorable stories that took place over the span of nearly 50 years.

Edd Fuller, Editor

Editor’s Notebook

Haystacks

Claude MonetHaystack

You may be wondering what haystacks have to do with railroads and photography. I am going to get to that, but first let me explain how I think that looking at a wide variety of art and artists can bring new ideas and spark creativity in our own work. As photographers, we often become mildly obsessed with the latest gear and techniques that promise to “level up” our photography.

There is nothing wrong with gear and technique. They are essential to our craft, but they are only part of the picture. As we educate ourselves about the craft of photography, we must not neglect to train our eyes. We can do that not only by studying the work of other photographers, but also by looking at and learning from all the visual arts. Stepping outside the world of railroad photography, our visual sensibility is enhanced when we see the world through the eyes of artists working in different media. I love to look at and study the work of the great railroad photographers, but I also explore and learn from the work of “non-railroad” photographers and other visual artists. Learning to see is a lifelong journey.

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Talking Pictures – Episode 5

History, the natural and man-made landscape, photography, and the railroad all come together in the work of photographer Michael Froio. In this episode of Talking Pictures, we discuss Michael’s photography, his on-going projects and his unique approach to railroad photography through the lens of time and place.

Talking Pictures is an ongoing series of video podcasts. Focusing on the images, each episode features photographers and artist discussing their own work, or images that they find inspirational or meaningful.

Join us, and if you like what you see, give the video a “thumbs up” (it helps spread the word) and share your thoughts in the comments.

Edd Fuller, Editor

The Drop

Back in 1970, we still had the sixteen-hour law and many freight jobs out of New Haven Connecticut, would work 15:59 so they did not outlaw. If you worked sixteen hours you had to have ten hours rest. But any other amount of time meant you only had to have eight hours off. Any job that went into New York had to have a fireman on it as they still had a full crew law; this was the way it was until about the 80’s. One of the jobs that went to New York was NH-1 that turned for HN-2. It was called the Drop as it made many stops along the way. The engineer on the job at that time was Joe De Cuffa, who was another great guy to work with and knew his job well. He enjoyed having firemen to teach and was the first engineer that started teaching me how to run a freight train. Before 1974, to become an engineer you were a firemen for a while, as a rule about three to four years. During that time you worked with many men and most would have you sit in the seat and show you how they ran their train. At the end of your years of doing it that way you took exams on rules, air brake, mechanical aspects of the engines and then qualifying on the characteristics of the road. That last part was where you sat with the rules examiner and he would take you from a point some place on the section of track you were doing to another part until he was satisfied you knew where you were. This meant each signal, switch, station, interlocking, speeds and any other special instruction you would have to know.

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Hi-Railing the Royal Gorge

Denver & Rio Grande Western train at Pueblo yard, 3/31/89

I had been traveling out to the Transportation Test Center near Pueblo for several years as part of my work with the Association of American Railroads (AAR) Research & Test Dept. The railroad activity around Pueblo fascinated me and I thought it would be interesting to see the Royal Gorge from track level. A friend on the D&RGW, Jim Ozment, offered to take me on a hi-rail trip up through the Gorge from Pueblo to Salida, Colorado.  It was March 31, 1989 and it had really snowed the night before. Jim couldn’t get down from Denver, but the Roadmaster in Pueblo, Robert Valdez, was ready and waiting.  We left the Pueblo yard shortly after it was light. It turned out to be an especially scenic ride because there was snow all the way up to Salida. No trains were scheduled in either direction that morning, so we had the railroad until lunch time. Robert patiently answered my questions about what his job entailed and how the railroad was maintained, and he explained some of the history of the line. But, for the most part, we just rode along looking for any trouble like fallen rocks or track defects. It was quiet and the snow made the incredible mountain scenery, track, and river even more stunning.

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Leaping Ahead to 1902

Not a sound on Friday, July 30th. Everything was ready.

An unprecedented event occurred on the Wiscasset, Waterville and Farmington Railway on July 31st – August 1st. All, as in ALL of the remaining two-foot gauge locomotives in Maine were gathered together. Five in total, three in steam, for a photographer’s dream.

The following history was written by the WW&F Railway Museum and is used with permission.

The Historic WW&F Railway.

The Wiscasset, Waterville and Farmington Railway was one of fine common carrier two-foot gauge railway systems that served Maine during the late 1800s and early 1900s. The first two-footer was the Sandy River, opened in western Maine in 1879. The Wiscasset and Quebec (predecessor to the WW&F) was the last two-footer started, opening in 1895 between Wiscasset and Albion, Maine.

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