In the summer of 1992 I attended an industrial archaeology field school at Harpers Ferry, West Virginia and spent my free time investigating railroad action around Martinsburg, Winchester and the surrounding Shenandoah Valley. Two years later, my annual Christmas stocking-stuffer book was Michael Flanagan’s illustrated novel of railroad paintings, Stations: An Imagined Journey which to my surprise was set in the same geographic area. I was immediately drawn to the paintings, many of which looked like familiar places. The narrative seemed cryptic on the first reading. But I kept returning to the book, which eventually led me on my own journey, a personal exploration that rewarded me with a deeper understanding of my attraction to the railroad landscape.
The Trackside Photographer is pleased to announce the publication of a new book by contributor Eric Gagnon. Trackside with VIA - Research and Recollections is Eric's fourth book on VIA Rail.
Eric writes: "Let's face it - there are very few books on VIA Rail out there. I've listed the only ones in existence in my first book, and I've added two published since then in this book. Now there is one more! Trip accounts from throughout VIA's history, and consists from 1981 to 2016 comprise the 'personal' parts of the book. Not knowing my Dad had saved consists that I'd lost track of (no pun intended), I've included them, plus accounts of VIA trips made by my parents, as well as photos of VIA operations taken by my Dad and my brother in the 1980's. All in one convenient package!
"Not only is there research, data and photos of mine, but also of my contributor team: Tim Hayman, Don McQueen, Mark Perry and Mark Sampson brought their expertise in modelling, locomotives and VIA operations in Northern Manitoba and VIA's Canadian, respectively."
Trackside with Via
For more about the book and ordering information, visits Eric's New Via Rail Book blog.
In the forward to his new book, The Railroad and the Art of Place, David Kahler writes ". . . I learned that photographs of moving trains were not everything. Some of the most evocative visual images could be made without rail activity." It is a theme that resonates with the mission of The Trackside Photographer.
Jeff Brouws, in his essay which appears in the book (and is reprinted below), discusses Kahler's work in relation to the depression era work of the Farm Security Administration photographers, particularly Marion Post Wolcott, as well as the photographers of the more recent New Topographics movement. With its focus on the visual and cultural landscape shaped by the railroad, The Railroad and the Art of Place holds a unique place in the context of railroad photography, and indeed, transcends the genre.
With a broad appeal not only to railfans, but to anyone who loves great photography, this book will find a place in the library of railfans, artists, photographers and historians alike.
David has been generous to share his work on The Trackside Photographer in the past, and we are pleased to recommend his new book to our readers.