Any time I visit the New River Gorge I almost always spend some time in Thurmond. For rail fans visiting southern West Virginia, Thurmond is certainly a must see place. Almost all of the railroad structures which crowded this narrow strip of flat land are gone. Still, there is much about this place which carries you back a hundred years to the boom times of the New River coal fields. A great deal has been written about Thurmond, much of it available on-line, and I’ll not do a history summary here. But I will touch on some of the highlights. Read more
In Part Three we had just arrived at the Sewell Bridge. Here on the south side of the Sewell Bridge was the location of the western terminus of the Southside Junction. Most of the mining in the Gorge was “drift mining” – coal seams were exposed on the mountain slopes and all that required was building access up to the seam and then mining into it. Since the New River had simply interrupted the various seams, those on the north side were continued on the slopes of the south side. The Southside Junction was built to accommodate mining these other seams. The Southside Junction ran from here up to Dun Glen across from Thurmond, West Virginia.
In time, the Lethbridge (Alberta district, Northwest Territories) coal mines would feed all the Canadian Pacific Railway (CPR) steam locomotives in western Canada, as well as the stoves of its stations and many settler prairie homes. The slogan “Galt Coal Burns All Night” was emblazoned on signage wherever it was sold; lumber yards, grain elevators, and farm cooperatives. By 1890, the North-West Coal & Navigation Company (NWC&NC) averaged 90,000 tons delivered per year to Dunmore, and the CPR wanted more. Northwest Mounted Police Superintendent Deane reported the Galt mines could produce more than 1,000 tons per day – with the possibilities for more in sight.
In Part Two, we had just begun to explore Fayette Station, West Virginia. Here Route 82 (one way from the north side of the Gorge and back up the other side) descends the mountain to the river then back up along the south side. Before the New River Gorge Bridge was built, Route 82 was how the Gorge was crossed at this location. At that time it was two way but for years now it has been limited to one way traffic.
Fayette Station is a busy place during the warm months. It is a center of activity for raft take-outs, rock climbing, viewing the bridge and for several waterfalls which are within walking distance. It also has a great rail fan location which I’ll get to later. Read more
In Part One we left off at Cotton Hill, West Virginia. As we move track east we soon come to Hawk’s Nest, only a couple of miles upriver from Cotton Hill. At Hawk’s Nest you step into the rich coal mining history of the Gorge. The 30 track miles from Hawk’s Nest to Quinnimont contain almost the entire history of New River coal. In the peak years early in the last century the Chesapeake & Ohio Railway (C&O) serviced 75 mines along this stretch of river including the various branch lines that crawled up the several side canyons.
In the forward to his new book, The Railroad and the Art of Place, David Kahler writes ". . . I learned that photographs of moving trains were not everything. Some of the most evocative visual images could be made without rail activity." It is a theme that resonates with the mission of The Trackside Photographer.
Jeff Brouws, in his essay which appears in the book (and is reprinted below), discusses Kahler's work in relation to the depression era work of the Farm Security Administration photographers, particularly Marion Post Wolcott, as well as the photographers of the more recent New Topographics movement. With its focus on the visual and cultural landscape shaped by the railroad, The Railroad and the Art of Place holds a unique place in the context of railroad photography, and indeed, transcends the genre.
With a broad appeal not only to railfans, but to anyone who loves great photography, this book will find a place in the library of railfans, artists, photographers and historians alike.
David has been generous to share his work on The Trackside Photographer in the past, and we are pleased to recommend his new book to our readers.