To the casual observer, this scene would suggest only the illumination of an incandescent bulb behind a green fresnel lens on Signal 482.4 as it sends out a clear indication to an approaching northbound train on the Union Pacific McGehee Subdivision. It is a scene that has been repeated countless times for well over a decade.
In 2008, Congress passed legislation requiring Class 1 railroads to implement Positive Train Control (PTC) by December 31, 2015. This was the nail in the coffin for the remaining “classic signals” left in the United States—the signals we grew up with. Semaphores, tri-lights, color position lights, and searchlights; all were slated to come down, replaced with the new “Darth Vader” signals that many despise. This new legislation’s deadline was extended, giving time to capture the last gasp of the “old signals” that are falling by the day on railroads all over the country.
Like many, I nearly waited too long to capture these unique structures before they were gone, so it was time to get moving. Last July it became apparent that if I was to see and capture any of these signals I would need to act quickly. A decision was made that, along with my dad, I would take off on a four day adventure through the Southwest to capture the last semaphores in mainline service in the United States. Little did I know, there were other gems to be found along the way. Read more
“There is no such thing as bad light,
just misunderstood light.”
That’s a quote I think a lot about. Like most photographers, I’m drawn to”blue hour” and “golden hour” light. It’s eye candy for us. Sometimes we get so obsessed with “good light,” though, that we ignore possibilities for other lighting situations. I find cloudy days wonderful for shooting detail shots with soft, even light. Night light (after blue hour) is made for contrasty, high drama photos. And yes, even harsh mid-day light can be useful.
This is a photograph that I took on a drive out on the plains east of my home in Pueblo, Colorado. The railroad line I’ve followed here is called the Towner Line and it’s part of the old Missouri Pacific Railroad. The line has faced some tough times lately and was poised to be abandoned and torn up. There’s an interesting legal case that may offer a reprieve, but even if that is the case, the line is still a shadow of its former self and faces many challenges.
The harsh mid-day light really called to me to tell that story. In this photo, we see the old signal with the lights and electrical components either scavenged or stolen. Colorado’s treeless plains form a background along with clouds that speak to the possibility of precipitation. What precipitation does fall will evaporate before hitting the ground and the strong winds caused by that effect will be the only hint of rain on this day. Life can be challenging on the high plains.
Had I taken this shot with the lower, warmer light of golden hour, I’m sure the result would have been more appealing aesthetically. However, I don’t think that it would have told the story that I intended it to. In the end, that’s always the most important component of any photo for me — conveying what it is that I feel when I take a photograph. In this particular instance, I’d like to think that I took a moment to understand the light as Mr. McCullin urged.