I was driving down Highway 4, between Rosetown and Swift Current, Saskatchewan, when I saw the old abandoned wood crib elevator in a farmer’s field just off the highway. How, I wondered, did it come to be there, all alone?
As it turns out, the elevator was once on a railway line—the old Canadian Pacific Railway McMorran Subdivision. Built in 1923, it was one of at least two elevators in the hamlet of Thrasher. But on this summer day in 2015, there is only one elevator left, abandoned like the rail line, and like Thrasher itself. Read more
A view of the former 1912 CP roundhouse facility in Assiniboia. Canadian Pacific ended roundhouse operations here in 1970 and it was then converted to a cattle auction mart which is still in operation today.
Over the last few years I have been seeing some great photos coming out of the Assiniboia area, particularly of the Great Western Railway (GWR) operations. On our own photography trips to Saskatchewan we would always be on the fringe of the GWR operations, but never see much of actual train movements. I had hoped this trip would be different. Read more
A trip to Saskatchewan in late June, 2015, afforded a chance to do—what else?—a bit of railfanning. It started with the journey along the Trans-Canada Highway from Winnipeg. For many kilometers along the way the highway parallels the Canadian Pacific Railway (CP) mainline and, in a few places in Manitoba, the Canadian National (CN) line. In some places, the tracks are very close to the highway. If you are lucky, you will come across trains in those places. I was not very lucky on this trip, seeing only a few trains up close.
Our destination was Swift Current, with a side trip to Saskatoon. Read more
The Trackside Photographer is pleased to present a new gallery of photographs by Eric Gagnon.
Prairie Elegy documents the final days of Western Canada’s Wooden Crib Grain Elevators. These evocative pictures record a time 30 years ago when the iconic structures were disappearing from the prairie landscape.
Eric wrote about his trip in “Wheat Filled Wonders” which we published in June. Now he generously shares 43 additional photos taken during the 1980’s as he traveled across Saskatchewan and Manitoba, following the tracks of the Canadian Pacific and Canadian National railroads that served the grain industry. The wooden elevators are now gone.
Prairie Elegy is listed under the Galleries menu at the top of the page, or click here to view.
It was 30 years ago. Disembarking from VIA Rail Canada’s Super Continental in Saskatoon, I began a Saskatchewan scavenger hunt photographing Canadian classics – wooden-crib grain elevators. Driving off in my rented Chevy Cavalier, map in hand across the seemingly endless prairie, my plan was to visit 50 towns over three days, overnighting in Davidson and Rosetown. My subjects were very visible on the horizon every eight to twelve miles!
Ridpath, Saskatchewan
Most other railfans might have chosen a more elusive quarry – Canadian National and Canadian Pacific grain pickup freights still serving a sinewy spiderweb of subdivisions. But I could already see, both literally and figuratively, the massive new concrete high-throughput elevators on the horizon. In the 10 years preceding my visit, the number of Saskatchewan’s grain elevators had already been cut in half. Time was of the essence.
Among my favourite scenes from this trip were three solitary elevators: Denny, Ridpath and Leach Siding. Lettered with elevator company names or logos and not augmented by annexes or silos, these prairie sentinels stood alone in summer’s heat and winter’s icy bite, guarding their golden harvest safely inside. Characteristically, each elevator had its own unloading shed, office and elevating equipment. Each awaited the arrival of 60-ton boxcars or 100-ton covered hoppers in ones or twos, fives or tens. Each posed politely as the sun arched in the boundless sky through morning, high noon til suppertime.
Leach Siding, Saskatchewan
Now, thirty years on, I’m sharing the results with you. These three wooden-walled, wheat-filled wonders no longer stand – all systematically toppled in the name of sheer unromanticized progress.
